En la imagen, Céline aparece desnuda y sentada con la pierna derecha cruzada sobre la izquierda para cubrir su zona íntima.

Allí, además, se aprecia que la cantante tiene su brazo izquierdo recargado sobre una rodilla, mientras se tapa con una mano la boca y una mejilla.

Al tiempo, Céline se cubre los senos con sus brazos y una tela blanca.

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Igualmente, la fotografía evidencia que en el sitio en el que fue captada la imagen hay unas botas caña alta, con brillantes, y en la parte trasera de la silla en la que posó la cantante se ve lo que sería una prenda femenina.

Esta es la foto de Céline desnuda, a sus 49 años, que lleva más de 118 mil ‘Me gusta’ en la cuenta pública de Instagram de Vogue. La toma fue realizada por Sophia Li, de acuerdo con la revista.

Here’s a little naked fact to ponder while Celine Dion changes looks between shows: for the past five years she has worn haute couture near exclusively for her own performances (in Las Vegas and on her current “mini-tour” of Europe). She performs a minimum two hours a night, five or six nights a week, dancing and curtseying and generally gesticulating sans abandon, in handmade, hand-beaded delicacies designed solely to walk a catwalk or a carpet (and often with handlers). For Celine’s orders, the houses send teams to Nevada for typically three fittings, before the garments are ultimately finished in her local, private atelier. Armani Prive, Schiaparelli, Giambattista Valli, Versace…only a partial list. Everyone, basically. In Vegas, Velcro panels are added to allow for her ribcage to expand or for a quick outfit change. Micro straps of elasticized chiffon prevent a slit from becoming a sloppy situation mid-squat. Shoes—always heels, never platforms—are ordered one size smaller (she is normally a 38) and refitted with metal shanks. Says Celine, “We have to make haute couture industrial.” And, more enigmatically: “The clothes follow me; I do not follow the clothes.” Which is to say: the haute couture, with all its fragility and handcraft, has to perform professionally for Ms. Dion. And privately as well. Years ago, Celine bought a classic little black dress from the Christian Dior atelier when the house was overseen by John Galliano. It is simple, falling to mid calf, and narrow as can be with just a hint of stretch. It requires a minimum of jewelry, a statement bracelet or perhaps one of the major diamond rings she designed with her late husband Rene Angelil: two pear cuts set in a wide pave band, or two hearts of diamond and emerald abstractly interlocking, on a cushion of yet more diamonds. This LBD forces you to walk one foot in front of the other. This is a dress Celine knows well and clearly loves, the simplest evocation of the private luxury of couture and the total antithesis of the red carpet hoopla that attends the union of fashion and celebrity. It is also the dress she wore to Rene’s funeral. #CelineTakesCouture Photo by @sophfei.

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